Theatre Futures Menu

Movement and the Moscow Art Theatre

Movement and the Moscow Art Theatre

This article was written by Peter Bramley, Head of Movement at Rose Bruford College and the Artistic Director of Pants on Fire theatre company. It marks the culmination of a week-long Movement conference at the school of The Moscow Art Theatre and offers personal insight into contemporary Stanislavski training in Moscow. Moscow, April 2007. On […]

Continue Reading 3

The 4.48 Experience

This article was written by Alex Mangold. Alex trained in Germany and is currently conducting PhD research on the theatre of Sarah Kane at Aberystwyth University. He works as a director and as a translator of such playwrights as Howard Barker and Richard Bean into German. Notes on a final year drama production Ever since […]

Continue Reading 2
Photo by Phil Adams

Fast and Dirty or In Deep: What Is Creative Research?

Fin Kennedy is an award-winning playwright, A slightly longer version of this article was given as a paper at the Between Fact and Fiction Conference, Birmingham University, 5th September 2007. I am a research-led writer. Someone recently described me as a “method writer” and before that someone else called me an “investigative playwright”. But […]

Continue Reading 1
New Writing Header

Fretting at Textual Fetters: Performance and the Playwright within New Writing

Jacqueline Bolton is currently undertaking an AHRC Collaborative Doctoral Award Studentship, studying Dramaturgy and Literary Management at the University of Leeds in conjunction with West Yorkshire Playhouse. A slightly longer version of this article was given as a paper at the Performing Literatures conference, University of Leeds, 29 June-1 July 2007. In the UK, the […]

Continue Reading 1

Powered by WordPress. Designed by WooThemes