The journal is published by The Stanislavski Centre at Rose Bruford College of Theatre and Performance in the UK, in partnership with the St Petersburg State Theatre Arts Academy in Russia.

The short play by Beckett (Come & Go) will be used as the basis for exploring the use of time and space in noh, masks and mask-like expression, stylized form and repetition, stage presence (and absence), the pregnant pause.

Award winning stage director, producer and educator, Richard St. Peter, discusses the significance of Harley Granville Barker’s “Thousand Performance” years at the Royal Court Theatre (1904-1907).

Professor David Lane talks about Stanislavski and the relationship between practitioner and performance. Wednesday 18th January, 18.00 to 20.00, Studio 2.

Introducing a new Open Educational Resource created at Rose Bruford College, supported by JISC and the Higher Education Academy, with the aim of enhancing the professional practice of those involved in Learning and Teaching in the Performing Arts in Higher Education.

Rose Bruford College of Theatre and Performance is proud to be a contributor to the RSC Open Stages Project that aims to ‘embrace, develop and celebrate amateur theatre, re-forging the bond with the world of professional theatre’.

A unique and exciting opportunity to explore the work of Sanford Meisner (1905-1997). Keynote lecture by Richard Hornby, Professor of Theatre, University of California Riverside. Followed by a panel discussion on Meisner’s work and legacy, and practical workshops which introduce and explore the Meisner technique.

The College’s Research Centre for Multicultural and Intercultural Performance is delighted to be collaborating with the Kala Chethena Kathakali Company as part of a Heritage Lottery Funded research project: We Are What We Wear.